Dolorean
You Can’t Win ( Yep Roc,
2007 )
Unslushed because: Yep Roc. The Chapel Hill-based label has consistently released rock albums that hit my sweet spot. (At least until they signed Rock Plaza Central, not to beat a dead…yuk yuk…horse.) Along with younger acts-I liked that first Comas album-Yep Roc’s roster includes legends like Robyn Hitchcock, the Apples in Stereo, John Doe, Sloan, and Ian Hunter.
Factors not initially considered: Due in part to my virtual lack of an Internet connection this week, Dolorean remain shrouded in mystery. The liner notes list the names of the band members and the studios where You Can’t Win was recorded, but not the towns where those studios are located. I don’t know where they’re from or when they recorded this, and none of the names inside ring a bell. But I’ve listened to the CD about six times through today.
[Okay, I've looked into things a little more; the Yep Roc love is a little embarrassing now. See the update at the end of this post if you're curious.]
Upon further review: A lovely, laid-back melodic rock album. The five guys in Dolorean don’t try to do too much, accenting songwriter Al James’s pretty melodies with understated guitar, piano, organ, and backup vocals that seem to always fall into just the right nooks. Reference points (admittedly dated; screw you all! I just turned 35!) would be bands like Mojave 3, Radar Bros., and Spain, but it seems that well-crafted, stripped-down music like this can do its thing without feeling overly derivative.
Quiet interludes like “You Don’t Want to Know” and “33-53.9°N/118-38.8°W,” with its liquid ooh’s and ahh’s, fill the gaps to elevate a group of good songs into a confident, coherent album. Winning tracks here include “Heather Remind Me How This Ends,” “Just Don’t Leave Town,” and “What One Bottle Can Do,” which pulls off a funny, sing-along chorus in the midst of its doleful tale: “I drink one bottle of wine each night to help me get over you/I’ve grown quite fond of what one bottle can do.”
But for me, on vacation at the beach with just my parents this week, “Beachcomber Blues” has become an anthem. Lead guitarist Emil Amos and pianist Jay Clarke color James’s heartbroken lyrics with equally heartbreaking lines, creating an uncanny sense of longing that, as long as the song just keeps playing, makes you feel like you have everything you could ever need.
Update: They’re from Portland, Oregon, they’re no longer on Yep Roc, and it doesn’t look as though the split was all that amicable. Plus they’ve forsaken MySpace (amen). From their WordPress page:
A NOTE ABOUT DOLOREAN AND MYSPACE: THE TWO SITES THAT REPRESENT DOLOREAN ARE NOT RUN OR MAINTAINED BY DOLOREAN. WE HAVE NO WAY OF RESPONDING TO ANY MESSAGES SENT TO THESE SITES. IF YOU PURCHASE MUSIC THROUGH THESE SITES THE MONEY GOES TO OUR FORMER LABEL, YEP ROC RECORDS, WHO ALREADY HAVE PLENTY OF OUR MONEY. TO PURCHASE ALBUMS FROM US VISIT THE ‘RECORDINGS’ PAGE ON THIS SITE.
- Dolorean WordPress page. You can also stream the entire album there. You Can’t Win indeed.
There really isn’t a lot out there on these guys. Their “bio” on the Yep Rock site just talks about their process and influences (Neil Young, J.J. Cale, Richard Thompson). They’re from Portland, OR, it was recorded in early 2006, and this is their third release on Yep Rock. Same info is on their MySpace page (only 841 friends?); other info at dolorean.wordpress.com. The standard bloggers have covered them, with tepid-to-positive reviews.
By: redsquirrel on July 1, 2008
at 8:24 pm
Thanks. I’ve worked it into the post. I also figured out that they’re not so happy with Yep Roc anymore. Of course my knee-jerk response as a fellow musician is to have the artists’ backs, but as a neophyte record reviewer, it’s an interesting dilemma: Since I’m not so clued in to the music world these days (much less the ins and outs of Portland bands), a label can broker the introduction for me. I wonder if I would’ve grabbed the Dolorean CD if it had been self-released.
And maybe Yep Roc has gone around the bend. My last two reviews, strangely, have chronicled one good band that’s been dropped from their roster, and one lame band that’s been added.
By: willenvelope on July 2, 2008
at 10:53 am
I actually own this album (think I even paid for it!) and really rate these guys.
I love ‘Heather, Remind Me’ and am even thinking of doing a cover of it next time I play an Open Mic!
Good find!!
By: Jon on July 2, 2008
at 2:53 pm
p.s. why don’t you upload a sample track from the better slush pile?
By: Jon on July 2, 2008
at 2:58 pm
I want to, but wordpress’s built-in uploader doesn’t allow mp3 files. Handy, huh? What do you use at southcoasting?
By: willenvelope on July 2, 2008
at 4:01 pm
Will, set up a fileden account, upload the file there, and post a link to it.
By: redsquirrel on July 2, 2008
at 5:09 pm
Squirrel’s got it. I use alternate hosting, and then link through too.
By: Jon on July 3, 2008
at 2:46 am
[...] diamonds in the rough, to write about all the wonderful things that have been overlooked. Although I’ve had a small number of happy finds, I’m also panning a lot of stuff, and I feel a little guilty [...]
By: Tales of a Negative Critic « S L U S H C I T Y on July 16, 2008
at 12:34 pm
[...] isn’t quite dead. I may still use it as a platform for talking about the good finds, like Dolorean, the Jim White song “Jailbird,” or the outstanding debut by Johnny Flynn (or bong [...]
By: Slush Epilogue « S L U S H C I T Y on February 10, 2009
at 11:29 pm